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Angela VanWell

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Yeats

Folklore and Fairytales, W.B. Yeats and his exploration of the Light and Dark in Irish Fairy Tales Part 2

March 12, 2021 by angelavanwell Leave a Comment

What do you do when you come upon a Fairy ring, Fairy mound, or Fairy fort? If you put your clothes on inside-out, do you fix them or wear them? Have you ever placed a piece of clothing on a rag tree? Today’s talk by the National Library of Ireland shared the impact of Irish Folklore and Fairytales on Yeats and discussed superstitions that are alive and well today.

I took a trip to Ireland several years ago. Our home base was in Dublin. There are many wonderful reasons to visit Dublin, but our primary focus was exploring its fascinating history. From Vikings, monastic sites, to fairies, there was a lot of history to explore. We visited the National Museum of Ireland, the Clontarf 1014: Brian Boru and the Battle for Dublin exhibit was the highlight. The exhibition of Clontarf, the best-known battle in Irish History, explored the myths and evidence of what really happened in the battle of the pagan Vikings versus the Christian King, Brian Boru. The battle ended with the Vikings leaving Ireland. It was the most exhilarating exhibit; I am grateful we explored it while we were there.

When we entered the Albert Bender Irish Artistic Connections collection, there were correspondences with J.B. Yeats. This was the first time I understood the importance of W. B. Yeats to the historical preservation of Irish history, specifically folklore.

Having since read both Fairy and Folk Tales of the Irish Peasantry and Irish Fairytales by Yeats, the world of historical and modern Irish folklore and superstitions emerged. W. B. Yeats took Irish fairytales seriously and is most likely the reason people shared their personal stories of interactions with the Gentry with him.

The National Library of Ireland shared how their belief in fairies helped the peasants deal with the harsh realities of life. They shared fairytales to learn about morals and instructive for life’s challenges. How Irish fairytales different from many fairytales we are familiar with today, it that the Irish fairy or the Gentry should be respected and feared.

For as Yeats said:

Fallen angels who were not good enough to be saved, nor bad enough to be lost, say the peasantry.

Yeats, Fairy and Folk Tales of the Irish Peasantry

While the hour-long talk included many of Yeats’s poems, the one I was most interested in was The Wicked Hawthorn Tree. A poem I was not overly familiar with. Hearing it with the Irish accent was beautiful. He wrote the poem originally for a play to be performed in a Japanese-style theatre, intended to be sung. Yeats believed he should write poetry like music, creating a trans-like atmosphere for those watching the play.

The Wicked Hawthorn Tree

O, but I saw a solemn sight;

Said the rambling, shambling travelling-man;

Castle Dargan’s ruin all lit

Lovely ladies dancing in it.

What though they dance; those days are gone;

said the wicked, crooked hawthorn tree;

Lovely lady and gallant man

Are cold blown dust or a bit of bone.

O, what is life but a mouthful of air;

Said the rambling, shambling travelling-man;

Yet all the lovely things that were

Live, for I saw them dancing there.

Nobody knows what may befall;

said the wicked, crooked hawthorn tree;

I have stood so long by a gap in the wall

May be I shall not die at all.

W. B. Yeats

Irish believed the Hawthorn tree to be the meeting place of fairies and the portals into the fairy realm. Current superstitions believe they must protect solitary Hawthorns. Farmers build stone fences around the trees to keep the cattle from tearing at their leaves and bark. The trees are good luck when left alone, but plucking their flowers or cutting them will bring misfortune. The theory that stuck with me was the Hathorn tree, believed to guard the portals to the fairy realm, was discussing the passage of time with one of the Gentry. Mourning the brevity of life while the Hawthorn tree guarded what remained: The belief in fairies.

So, if you see a field filled with Hawthorns or a fairy mound, what would you do?

Happy Reading!

An té a bhíónn siúlach, bíonn scéalach

He who travels has stories to tell

Irish Proverb

Filed Under: Inspiring Authors, Ramblings, Travel Tagged With: fairytale, Irish Fairytales, Irish Folktales, Yeats

Folklore and Fairytales, W. B. Yeats and his exploration of the light and dark in Irish Fairy Tales

March 5, 2021 by angelavanwell Leave a Comment

Would you cross, let alone build, on a fairy ring? Do you plead with the elemental powers to take your love away? Have you heard the faery cry, inviting you to come away from the world filled with sorrow? William Butler Yeats explored the oral history of Ireland and added to it. He was an Irish poet, was born into an artistic family, surrounded by artists and poets. His early works focused on Irish mythology and folklore as he was one of the artists responsible for the Irish Literary Revival and creation of the Dublin Abbey Theatre.

It is those ancient tales and his accounts of collecting Irish myth and folklore that I appreciate the most. It is not surprising as I love myths and the twists and turns they undergo when used in modern poetry, novels, TV series, and movies. The collection, Fairy and Folktales of the Irish Peasantry, is filled with real-world accounts of encounters with the faery realm.

He listened to the stories of his home countrymen and wrote them faithfully. The collection of stories was a connection to the Irish identity, a unifying piece of his country. He seemed to interpret the faery realm and the realm of the dead. And later, when he moved his focus to mysticism, he sought to find more answers.

Come away, O human child!

To the waters and the wild

With a faery, hand in hand,

For the world’s more full of weeping than you can understand.

W. B. Yeats, The Stolen Child

Yeats wrote Fiary and Folk Tales of the Irish Peasantry in a dreamlike quality. Similar to a ghost story in events shared by individuals who experienced a faery interaction. Many of the events shared were dark and troubling, perhaps a reflection of the times. Children stolen away, changelings left in their place; of the hardships of life and outwitting the faery folk; or a man ending his vices after interacting with faery folk. Stories where Mermen keep souls in cages under the sea, and priests are heroic. A mixture of tales based in late nineteenth century beliefs.

If you would like to read the collection, it is available at Project Gutenberg: Fairy and Folk Tales of the Irish Peasantry by W.. B. Yeats I suggest you read Soul Cages by T. Crofton Croker. It is too long of a short story to share here, but a unique tale of a merman keeping the souls of drowned sailors.

“when I see a good storm coming on, to set a couple of dozen of these, and then, when the sailors are drowned and the souls get out of them under the water, the poor things are almost perished to death, not being used to the cold; so they make into my pots for shelter, and then I have them snug, and fetch them home, and keep them here dry and warm; and is it not well for them, poor souls, to get into such good quarters?”

T. Crofton Croker, The Soul Cages

Excerpt From: “Fairy and Folk Tales of the Irish Peasantry.” Apple Books.

If you are interested in learning more about Yeats’ interest in Irish Folklore and readings of several of his works, The National Library of Ireland is hosting a talk next Friday: National Library of Ireland Talk

I look forward to their view of Yeats’ works and the pieces they will be sharing.

Happy Reading!

Heaven and Fairyland—to these has Biddy Hart given all she dreams of magnificence, and to them her soul goes out—to the one in love and hope, to the other in love and fear—day after day and season after season; saints and angels, fairies and witches, haunted thorn-trees and holy wells, are to her what books, and plays, and pictures are to you and me.

W. B. Yeats, Irish Fairy Tales

Filed Under: Ghost Stories, Inspiring Authors Tagged With: fantasy, folktales, Irish Fairytales, Yeats

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